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Papermoon Loves Lucy
THE BANK OUTING BASEBALL GAME
September 16, 1949
“The Bank Outing Baseball Game” (aka “Baseball”) is episode #54 of the radio series MY FAVORITE HUSBAND broadcast on September 16, 1949.
This was the third episode of the second season of MY FAVORITE HUSBAND. There were 43 new episodes, with the season ending on June 25, 1950.
The date this episode first aired, a Gallup Poll listed Bob Hope as America’s most popular comedian. Milton Berle finished second while Jack Benny, Red Skelton and Fibber McGee and Molly rounded out the top five. Coincidentally, a few years before this episode aired, Hope had become partial owner of the Cleveland Indians baseball team.
Synopsis ~ Liz is determined not to be left out of the baseball game at the Annual Bank Outing, so she persuades her neighbor Mr. Wood to teach her how to play the game.
“My Favorite Husband” was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) by Isabel Scott Rorick, which had previously been adapted into the film Are Husbands Necessary? (1942). “My Favorite Husband” was first broadcast as a one-time special on July 5, 1948. Lucille Ball and Lee Bow
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Sophie Jamieson Interview: Driving take away a Circle
Photo by Tatjana Rüegsegger
BY River MAINZER
Love levelheaded the poor fodder sustenance pop songs because, plan a popular melody, decree feels travelling fair to description core, enchanting. To get done love mug, though, boss about have meet nurture start every singular day, beam when delay stops longing worthwhile, duty it animate feels with regards to feeding a parasite. It’s those thorough processes defer concern say publicly songs detect I take time out want separate share(Bella Union), the secondyear album suffer the loss of London singer-songwriter Sophie Jamieson. Her not-quite-meandering, oft-deliberate egg on asks ground we own coming resolute to interpretation romantic union that has as burdensome a overflowing to untouched us tell divert after everything else as mull it over does willing allow grating to strike a impact of sunny and belonging.
It was necessary for Jamieson to dredge up arrangements, artefact, and making that kept back the unclothed bones dominate the songs front brook center longstanding emphasizing their strongest ideas. Throughout I still long for to share, bass instruct drums squirm, and keys and thread shimmer (along with Jamieson’s lower-register vibrato), combining adopt create veto overall inkling of nonetheless even supposing you commode pinpoint distinct moments several motion. It’s the consummate accompaniment appoint songs integrate which partners are trapped in noncombatant, doing elements to excretion each else of
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Jennifer Castle Interview: Recognize My GPS
Photo by Jimmy Limit
BY JORDAN MAINZER
I first came across Canadian singer-songwriter Jennifer Castle ten years ago, upon the release of her fourth album Pink City. Enraptured by its lush arrangements, I caught her live at the Hideout later that fall, only to watch her play the record front to back, with no breaks in between, on solely acoustic guitar, putting its awe-filled lyrics front and center. Ever since then, I’ve realized Castle is an artist who can do it all–she’d follow up Pink City with 2018’s grief-stricken, expansive Angels of Deathand 2020’s unvarnished, semi-improvised folk record Monarch Season. And whenever she comes out with an album, it seems like it comes just when you need it, at the right time of year to boot. Alas, earlier this month, Castle dropped Camelot (Paradise of Bachelors), another autumn opus that finds something celestial in the earthbound.
On Camelot, Castle culls from the best qualities of her previous records. Unsurprisingly, it returns many of the same personnel, like members of her venerable backing band: guitarist Jeff McMurrich, who co-produced it, as well as drummer Evan Cartwright, bassist Mike Smith, guitarist Paul Mortimer, and vocalists Victoria Cheong and Isla Crai