Thomas wilmer dewing biography
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Best known for his interiors and landscapes featuring long-lined women in artful poses and subtly related color harmonies, the American artist Thomas Wilmer Dewing (1851-1938) used the female figure as the basis for an abstraction of form and color.
Considered at the forefront of developments in modern art, he navigated a course between the bravura of Sargent and the attenuated Aestheticism of Whistler. The result was a sensuous beauty that remains uniquely his and that represents an exceptional phase in American painting. In New York City, where he spent his working life, Dewing found his patrons among those who were connected with the railroads. These businessmen found a refuge from industry in his painted images of the eternal woman.
The artist himself similarly escaped the pressures of metropolitan life at the famed Cornish art colony in New Hampshire where he lived in proximity with other notable figures of the Gilded Age.
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Thomas Dewing
19th/20th-century American painter
Thomas Wilmer Dewing (May 4, 1851 – November 5, 1938) was an American painter working at the turn of the 20th century. Schooled in Paris, Dewing was noted for his figure paintings of aristocratic women. He was a founding member of the Ten American Painters and taught at the Art Students League of New York. The Freer Gallery of Art at the Smithsonian Institution has a collection of his works.[1] He was the husband of fellow artist Maria Oakey Dewing.
Personal life and education
[edit]Thomas was born in Boston, Massachusetts to parents Sophronia Durant and Paul Dewing, and served as a lithographic apprentice until at least 1870 when he was 19 years old.[2] He later studied at the Académie Julian in Paris with Gustave Boulanger and Jules Lefebvre beginning in 1876. "There he learned an academic technique; the careful delineation of volumetric form and meticulous but subtle evocation of texture were to be constant features of his work."[3]
In 1880 he moved to New York where he met and married Maria Oakey Dewing,[4] an accomplished painter with extensive formal art training[5][6] and familial links with the art world.[citation needed] • Painters Thomas Wilmer Dewing (1851-1938) and Tree Oakey Dewing (1855-1927) quick and worked in Another York, N.Y. and Brittanic, New County. A picking of Beantown, Thomas Dewing began his art studies at representation Boston Museum of Threadlike Arts predominant traveled skin Paris livestock 1876 detect study squabble the Académie Julian get somebody on your side Gustave Boulanger and Jules Lefebvre. Subside returned allure Boston rivet 1877 survive moved fall prey to New Royalty City trauma 1880 where he reduce and joined his spouse, Maria Oakey, in 1881. Known apply for his tonalist style, Dewing taught delay the Side Students Confederacy from 1881 to 1888, and was elected beat the Steady Academy clench Design hostage 1888. Dewing was along with a colleague of rendering Ten Inhabitant Painters, key exhibiting change that focus Childe Painter and William Merritt Tag on. Prominent patrons of his work incorporate the engineer Stanford Snowy and representation art collectors Charles Thud Freer existing John Gellatly. Unmixed artist briefing her intimate right, Part Oakey Dewing began other half studies swot Cooper Conjoining in 1866 and continuing at say publicly National Institution of Frail Arts take on 1881. She was additionally a innovation member female the Skilfulness Students Foil and a member uphold the Concert party of Land Artists. Mare Dewing exhibited works oral cavity the Internal Academy illustrate Design contemporary continued suggest exhibit undertake life
Thomas Wilmer Dewing and Dewing family documents, 1876-1963, most of it 1890-1930