Museo di milano picasso biography
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For a long time considered a foreigner by the country in which he lived, Pablo Picasso never obtained French citizenship. The exhibitions coming to the Palazzo Te in Mantua and the Palazzo Reale in Milan delve into this history, narrated for us by the journalist and author Marco Carminati
When Pablo Picasso died in Mougins, Provence, on 8 April 1973, a flood of praise poured out for him and his art. France, the country in which Picasso had lived for almost seventy years, made solemn decisions regarding his legacy. Having the possibility to pay off inheritance taxes through the sale of works of art, the French state and the artist’s family agreed to take from the master’s immense legacy a selection of 200 paintings, 150 sculptures, 3,000 drawings, 88 ceramics and more, and allocate all this to a national museum named after Pablo Picasso, which opened its doors in Paris on 28 September 1985.
The historian Annie Cohen-Solal wanted to re-examine this “great love” France had for Pablo Picasso by thoroughly scrutinizing the archival documents and arrived at unexpected and in some respects disconcerting conclusions. Contrary to what is commonly believed, France repeatedly demonstrated sincere and open hostility towards this “Spanish” artist, defined as a “foreigner”, “anarchi
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Picasso
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Created in collaboration with the Musée national Picasso-Paris, the main lender, the Palais de la Porte Dorée, the Museu Picasso Barcelona, the Musée Picasso in Antibes, the Musée Magnelli – Musée de la Céramique in Vallauris, and significant historic private collections across Europe, the exhibition will feature more than 100 works by the artist, along with documents, photographs, letters, and videos. For its third Italian venue, following Palazzo Reale in Milan and Palazzo Te in Mantua, the project is further enriched by a selection of previously unpublished works, chosen by the curator exclusively for the exhibition layout at Palazzo Cipolla.
The original idea for the project was conceived by Annie Cohen-Solal, curator of the exhibition, with a contribution by Johan Popelard from the Musée national Picasso-Paris.
The exhibition will feature a significant section dedicated to the Roman spring of 1917, spent by Pablo Picasso with Jean Cocteau, Erik Satie, Serge de Diaghilev, and Leonid Massine.
«The Roman Spring of Picasso in 1917 remains a historical moment of rebirth for the “foreign” artist, after the confiscation (December 1914) of his cubist works by the French government» comments Annie Cohen-Solal curator and author of
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Musée Picasso
Museum confine Paris, France
This article deterioration about interpretation museum quickwitted Paris. Storage space other museums, see Painter Museum (disambiguation).
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Building
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