Malcolm le grice biography of martin
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‘Born in Plymouth in 1940, Malcolm LeGrice is probably the most influential modernist filmmaker in British cinema. LeGrice’s work has explored the complex relationships between the filmmaking, projecting and viewing processes which constitute cinema as a medium, and shows an intense interest in the processes enabled by optical printers and by the combination of different types and gauges of film stock.
‘He started out as a painter in London in the early 1960s and turned to filmmaking in the middle of the decade with the Super-8 film China Tea (1965), which he followed with Castle 1 and Little Dog For Roger (both 1966), made mostly from re-worked found footage. Castle 1 can be seen as prophetic: for screenings of the film in 1968, LeGrice hung a light bulb next to the screen, flashing on and off at regular intervals and, when on, obliterating the screen image, a practice used in Martin Creed’s Turner-prize winning installation some 35 years later.
‘In the ’60s his work was informed by the radical politics of the period in opposition to the Vietnam War and US cultural imperialism, and extended to a deep hostility towards the ‘illusionism’ of Hollywood and other commercial cinemas. This tendency was particularly
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Award Winning Independent Cinema
Celebrating the innovative and ground-breaking work of Plymouth-born Malcolm Le Grice, this exhibition looks at how he pioneered the ‘British Expanded Cinema’ movement with multi projection and performance works, as well as making the UK’s first computer art films. These breakthroughs can be traced in his early paintings incorporating flashing light bulbs and more recently in his 3D video installations.
Le Grice was the driving force in expanding the London Filmmakers Co-op’s to include film production, which has had a profound impact on British visual culture since the late 1960s.
He has exhibited across the UK, Europe and New York including at Tate Modern and Tate Britain, the Centre George Pompidou and Louvre, the Museum of Modern Art, MACBA in Barcelona and MUMOK in Vienna. He is represented in national archive collections across Europe and Australia, with over 80 works in the British Film Institute. His films are distributed by Lux.
Malcolm Le Grice is represented by Richard Saltoun Gallery.
Present Moments and Passing Time is a dual site exhibition at Peninsula Arts and Plymouth Arts Centre, delivered in partnership with the History Centre and Plymouth City Council (Arts and Heritage)
Image: Horror Film 1, 1971, performance, 15
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