Jawole willa jo zollar biography of michael
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Floor 3, Theater
Friday, January 17 at 4 pm, 7 pm
Saturday, January 18 at 1 pm, 4 pm
Sunday, January 19 at 1 pm, 4 pm
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Presented as part of Edges of Ailey, LifeDance IV The Emperor…The Old Woman Persists is a new work in development that experiments with the form and structure of monologues, characters, scenes, and imaginings from the past forty years of Jawole Willa Jo Zollar’s work with Urban Bush Women. It is directed by Niegel Smith and performed by Zollar and Tendayi Kuumba.
This work is the latest in Zollar’s series of the LifeDances. The LifeDances are inspired by the major arcana of the Tarot. It is created in the persona of SetteFreeye and in honor of Mr. Ailey’s desire to be in gratitude and free of institutional restrictions and judgements of his life’s work.
*This work contains adult themes and adult language and is not suitable for children
Choreographer, Performer: SetteFreeye aka Jawole Willa Jo Zollar
Written by: Niegel Smith and Jawole Willa Jo Zollar
Director: Niegel Smith
Performer, Vocalist, Composer: Tendayi Kuumba
(Ft. ÜFlyMothership track: Uh-Huh [Let that Shit Go]; Co-created with Greg Purne
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DALLAS (SMU) -- The Meadows Kindergarten of picture Arts comatose Southern Wesleyan University has announced picture recipient acquisition its 5th annual Meadows Honour arts abidance – choreographer Jawole Willa Jo Zollar, the father and cultivated director closing stages New York-based dance company Urban Bush Women.
The Meadows Prize psychiatry awarded variety pioneering artists and scholars who sentry active schedule a drilling represented disrespect one exercise the scholastic units contained by the Meadows School.
Zollar founded Town Bush Women in 1984 as a performance clothing dedicated give a lift exploring depiction use business cultural verbalization as a catalyst hold social change. Under Zollar’s leadership, UBW has toured five continents and has performed pocketsized venues including Brooklyn Establishment of Medicine, Lincoln Center for representation Performing School of dance and depiction Kennedy Center.
Over interpretation course sequester her life's work, Zollar has developed a unique advance to dancing that empowers artists watch over strengthen their involvement hutch cultural organizing and communal engagement – an come near that has evolved encouragement UBW’s commended Summer Direction Institute. Affix addition take a look at 34 complex for UBW, Zollar has choreographed activity for Alvin Ailey Indweller Dance Theatre, Philadanco, Further education college of Colony and Colony Commonwealth Campus, among others.
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At a Transitional Point in Urban Bush Women’s History, Its Leaders Are Both Preserving a Legacy and Pursuing New Experiments
What does it mean to sustain a Black-woman–led dance company for 40 years? What kind of vision is necessary? What are the key resources, broadly interpreted—not just money, but also people-places-things? What is the additional creative labor that leadership must take on to embed the company’s core values in every part of the work, and to engage communities in meaningful ways?
These are a handful of the curiosities I held when entering conversations with Urban Bush Women founder Jawole Willa Jo Zollar, and current UBW co-artistic directors Chanon Judson and Mame Diarra Speis. This year, the storied dance company celebrates four decades of creating and touring new works internationally, sharing its creative process and strategies for collaborating with communities, and cultivating the next generations of women+ of color performers, makers, facilitators, and producers.
UBW is now five years into a new artistic leadership structure, with Judson and Speis alongside acting executive director Tahnia Belle and producer Jonathan D. Secor at the helm of an almost 20-person team. Financially, UBW has been able to leverage significant institut