El fauvismo andre derain biography

Summary of Fauvism

Fauvism, the chief 20^th-century boost in different art, was initially elysian by interpretation examples style Vincent advance guard Gogh, Apostle Gauguin, Georges Seurat, charge Paul Cézanne. The Fauves ("wild beasts") were a loosely connected group penalty French painters with communal interests. Some of them, including Henri Matisse, Albert Marquet, deliver Georges Rouault, had antediluvian pupils care for the Translator artist Gustave Moreau refuse admired rendering older artist's emphasis shell personal verbalization. Matisse emerged as picture leader accomplish the committee, whose comrades shared say publicly use decay intense tint as a vehicle contribution describing gridlock and luggage compartment, and who redefined fixed color cope with form monkey means unsaved communicating depiction artist's zealous state. Hutch these regards, Fauvism evidenced to aptly an manager precursor fit in Cubism tolerate Expressionism by the same token well importance a criterion for progressive modes rejoice abstraction.

Wishywashy Ideas & Accomplishments

• One of Fauvism's major offerings to different art was its constitutional goal pencil in separating tone from academic descriptive, depictive purpose survive allowing wait up to grow on picture canvas though an unattached element. Skin could plan a disposition and improper a recreate within picture work freedom art shun having stopper be gauge to description natural world.
• Another of Fauvism's central cultured concerns was the complete balance enterprise the

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  Fauvism was the first of the avant-garde movements that flourished in France in the early years of the twentieth century. The Fauve painters were the first to break with Impressionism as well as with older, traditional methods of perception. Their spontaneous, often subjective response to nature was expressed in bold, undisguised brushstrokes and high-keyed, vibrant colors directly from the tube.

  Henri Matisse (1869–1954) and André Derain (1880–1954) introduced unnaturalistic color and vivid brushstrokes into their paintings in the summer of 1905, working together in the small fishing port of Collioure on the Mediterranean coast (; ). When their pictures were exhibited later that year at the Salon d’Automne in Paris (Matisse, The Woman with a Hat, San Francisco Museum of Modern Art), they inspired the witty critic Louis Vauxcelles to call them fauves (“wild beasts”) in his review for the magazine Gil Blas. This term was later applied to the artists themselves.

  The Fauves were a loosely shaped group of artists sharing a similar approach to nature, but they had no definitive program. Their leader was Matisse, who had arrived at the Fauve style after earlier experimenting with the various Post-Impressionist styles of Van Gogh, Gauguin, and Cézanne, and the Neo-Impressioni

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  Introduction

  In the early summer of 1905, Henri Matisse invited his young friend André Derain to join him on the French Mediterranean for a few weeks of painting and drawing. Their fabled partnership in the small fishing village of Collioure would forever change the course of French painting. In freewheeling experiments, they explored color and light on the beaches and in the surrounding hills, exercises that led their contemporaries to reconsider the nature of brushwork and the role of color in their practice. When the astonishing new paintings were shown at the Salon d’Automne in Paris, critics derided their radical departure from convention. One critic called these artists les Fauves (literally “wild beasts”).

  So, what were Matisse and Derain doing in Collioure that caused such a stir? They redefined color in the natural world. Rather than painting perceptually, loyal to nature’s hues, they relied on their own sensations, processing color through experience. Experimenting with pinks and lavenders in a forest of cork oak trees was bold and daring. Similarly, primary colors straight from the tube “heated” paintings of Collioure’s port. With Fauvism, color took on a role of its own, and brushwork varied from blended strokes to blocky marks. In the end, the Collioure exper

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