Despised icon biography definition
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Despised Icon
Imagine a creature laying dormant beneath the earth, in an inhuman slumber since a time long forgotten. This creature reawakens, cracks up through the ground and finds a world it barely recognizes. Chaos, disorder, brutality, bloodthirst and terror are all around. Seeking to restore some sense of order to its surroundings, the creature adopts the destructive nature it witnesses in man and begins a vengeful quest for power.
Mythology, fable and metaphor collide with BEAST, a blistering new album marking the return of DESPISED ICON. The genre-defining band is fully reawakened, poised to recapture the crown with the monstrous and merciless might of their potent expression. Featuring the men responsible for most of the band’s now classic death metal catalog, BEAST is a vicious commentary on the state of the world and the state of music itself.
This is old school Despised Icon reminiscent of The Healing Process (2005) and The Ills of Modern Man (2007), but cast through an ultra-modern lens, carrying with it the experience and driven purpose of a band secure in their identity and their legacy. Without sacrificing the creative leaps of what many feared would be their final album, Day of Mourning (2009), Despised Icon renew their focus on the collision of dual voca
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Deathcore
Fusion of death metal and metalcore genres
Deathcore is an extreme metal subgenre that combines death metal with metalcore.[1][2][3][4][5] The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns.[6][7] While there are some precursors to the concept of death metal fused with metalcore and hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California, which are home to many notable bands and various festivals.[8][9][10]
Some of the genre's earliest examples include Antagony, Despised Icon, and the Red Chord. Deathcore's expansion in the mid-2000s saw bands like All Shall Perish, Through the Eyes of the Dead, Bring Me the Horizon, Suicide Silence, Carnifex, Job for a Cowboy, Chelsea Grin and Whitechapel taking off. In the 2010s, deathcore bands began experimenting with an eclectic selection of other genres.
The genre is noted for its criticism from longtime fans of heavy metal music, usually for its frequent use of breakdowns. Some musicians classified as deathcore have rejected
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