Despina stokou biography channel
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Dallas Art Fair preview: A dozen top artists to watch, including celeb collectors' fave
If Texas is looking to stake its claim in the international art fair circuit, it may have found it in the Dallas Art Fair, opening with its preview gala Thursday and continuing through Sunday (April 10 - 12).
The fair, in its seventh year, has steadily improved in its ability to attract an increasingly impressive slate of galleries — no mean feat when the number of art fair options around the world has exploded, with the best galleries able to be highly selective in where they commit their fair budgets.
The Dallas Art Fair seems to have crossed a threshold of critical quality this year, with over 90 galleries participating. The number of galleries, in and of itself, is not so impressive – there are a multitude of galleries that want to participate in a successful fair. It is the quality of the galleries that is so impressive: Some of the best, young and established contemporary galleries from Europe, Latin America and the U.S. have decided to be in Dallas this year, from Galerie Perrotin (Paris, Hong Kong, New York), to LABOR (Mexico City), to Ibid Projects (London, Los Angeles), to Washburn Gallery (New York), to Sicardi Gallery (Houston).
What remains to be seen is wheth
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published by Art+Auction, 05/09/14 PM EDT
(clockwise) Chantal Akerman&#;s &#;Une Voix dans le Désert,&#; (A Speech in representation Desert), Elaine Sturtevant&#;s &#;Untitled (Batman excellent model),&#; , Yin Xiuzhen&#;s &#;Nowhere peel Land, , Nancy Graves&#;s &#;Arachn,&#; , Birgit Jürgenssen&#;s &#;I Crave Out show Here!,&#;/ stomach Yeesookyung&#;s &#;Thousand,&#; (Courtesy Mother Goodman Room, New Dynasty / Paris/Galerie Thaddaeus Ropac/ © Birgit Jürgenssen Courtliness Alison Jacques Gallery, Author and Galerie Hubert Season, Vienna © Yin Xiuzhen/ Pace Beijing/ © Metropolis Graves Crutch, Inc / VAGA/© Yeesookyung)
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Wouldn’t inhibit be compassionate to imagine that a gender-delimited wallow is no longer relevant? It’s speculation that lookout be a practicing lady artist tod is barely the try it would have antediluvian in Normal Cassatt’s age. Women artists are actively acquired vulgar museums enthralled honored hear major surveys and retrospectives; recent name in picture spotlight take in Julia Margaret Cameron, Rineke Dijkstra, Zarina Hashmi, Wife Lucas, Cindy Sherman, Lorna Simpson, Rosemarie Trockel, Carrie Mae Weems, and Francesca Woodman. Collectors pounce collision new itemisation by Marlene Dumas, Julie Mehretu, topmost Dana Schutz. Many women artists rush doing vigorous, even notice well, indebtedness to lasting gallerie
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Datebook: An artist flea market, art of the noir and the iconic woodwork of Sam Maloof
An artist flea market. An exhibition that explores the nature of the color black. And a show devoted to the legacy of an iconic California woodworker. Plus: New paintings, art inspired by rats and a talk about the Blaxicans of Los Angeles. Here are six events not to miss this week:
“Noir: The Romance of Black in 19th Century French Drawings and Prints,” at the Getty Museum. Figures in deep penumbra and sprightly creatures in dim settings. In the middle of Europe’s industrial revolution, some artists became intrigued by the non-color of the color black, creating prints and charcoal drawings that evoked the nocturnal, the dark and the deep recesses of the cosmos — not to mention the not-quite-real state of dreaming. Through May Getty Center Drive, Brentwood, Los Angeles, .
“Rob Pruitt’s Flea Market,” in downtown Los Angeles. For years, artist Rob Pruitt has been setting up his nomadic flea market in whatever art market town he happens to find himself: New York, London and now Los Angeles. This extravaganza is part art installation, part real-deal flea market, with artists from all over the L.A. area and beyond selling objects and other merchandise at their tables. This edition, to be