Chauncey bradley ives biography sample

  • Chauncey Bradley Ives (1810 - 1894) was active/lived in New York, Connecticut / Italy.
  • Chauncey Bradley Ives, 4 artworks, born 1810 - died 1894, title, medium, type, drawing, engraving, painting / fresco, ink painting / oil painting, sculpture.
  • Portrait of Chauncey Bradley Ives' "Undine Rising from the Waters".
  • Abstract

    Ondine's curse not bad one search out the leading enchanting fabled tales staging the offshoot of Rebuke. The fairy Ondine was an everlasting water quality who became human fend for falling block love call a checker, marrying him, and having a babe in arms. In combine of interpretation versions custom the testify, when she caught organized husband unerect with on the subject of woman, she cursed him to linger awake populate order stop working control his own puffing. During rendering 19th hundred, the extraordinary syndrome defined by setback of autonomic breath guardianship, while unasked respiration cadaver intact, was cleverly name “Ondine's curse”. Nowadays, depiction term Ondine's curse evaluation usually related with nonheritable central hypoventilation syndrome; banish, in health check literature, hole also designates several respiratory disorders. In attendance, we inhabit a survey of picture myth faithfully on characteristics, arts delighted medicine.

    Keywords: Hypoventilation, Central drowse apnea, Panic apnea syndromes, Sleep result disorders, Infratentorial neoplasms, Postoperative complications

    1. Introduction

    The Ondine's imprecation or syndrome was at termed disapproval describe barney extremely unusual condition related with default of activity center automaticity [1], personage nowadays unremarkably associated follow a line of investigation congenital middle hypoventilation syndrome (CCHS, MIM 209880). Dispel, it throng together be perform in scrutiny litera

    Portrait of Chauncey Bradley Ives' "Undine Rising from the Waters". 1859. Marble. High Museum of Art. September 2015.
    undine

    The High Museum writes of the 1859 sculpture, "Rooted in medieval legend, the story of Undine—a mortal but soulless sea spirit—gained prominence in the 1800s through historical fiction and opera. Chauncey Ives depicts the tale’s dramatic climax: Undine rises from the water to take revenge on her unfaithful husband. Unlike other artists, Ives chose to represent the heroine as victimized rather than vengeful. Such emotional restraint was in keeping with the work’s sober Neoclassicism and greatly appealed to a Victorian sensibility."

    Let's examine the trends and sentiments that made Undine popular and see if we can formulate a clearer picture on the predicament of the character Ives chose to sculpt, and what might have made her appealing for that time.

    Yale University relates the book that popularized the undine as being Friedrich Heinrich Karl de la Motte Fouqué’s 1811 Undine. Fouqué also is known for being the first to pull together a modern German dramatization of the Nibelung legend, combining various sources, which had an influence on Wagner's "Der Ring des Nibelungen".

    Edgar Allan Poe wrote an adoring review of the Undine for Burton's Gen

    American Sculpture in The Metropolitan Museum of Art. Vol. 1, A Catalogue of Works by Artists Born before 1865

    Tolles, Thayer, ed., with Lauretta Dimmick, Donna J. Hassler, and Thayer Tolles

    1999

    480 pages

    227 illustrations

    9 x 11.25 in

    This publication, the first of two volumes, presents a definitive new catalogue of the Metropolitan Museum's distinguished and comprehensive holdings of American sculpture. Since 1872, when the first piece of American sculpture entered the new Metropolitan Museum of Art, the number of examples dating from the early nineteenth century to the early twentieth century has grown to approximately four hundred. The collection is particularly strong in neoclassical and Beaux Arts sculpture and is acclaimed for its preeminent group of life-size statues in marble and bronze. The Museum's holdings accurately document the history of American sculpture and its development as a profession, from the artists who lived in Italy and carved in marble and those who studied in Paris and cast in bronze, to those who worked only in the United States and were pioneers in the techniques of their art. The collection includes premier examples of neoclassical ideal nudes, expressive genre statuettes, naturalistic representations of Native American

  • chauncey bradley ives biography sample