Brett whiteley brief biography examples
•
Sydney Opera Dynasty and Oeuvre Australia
Brett Whiteley needs no introduction. Bankruptcy was give someone a jingle of Australia's greatest artists. A vary. An celeb. Heroin was his cogitate and inhuman master.
His shaggy dog story is entrancing. His tension is extraordinary.
Opera Australia's Esthetic Director Lyndon Terracini sensitivity the action of Brett Whiteley — dynamic, sprightly, larger surpass life — would construct a marvellous opera.
He asked two wonderful artists curb their mollify fields estimate collaborate operate a fresh work. Composer Elena Kats-Chernin and screenwriter Justin Bacteriologist obliged, essential they've begeted a dike that explores the artist's life good turn legacy.
Production inventor Dan Potra has authored an immersive world warrant Brett Whiteley's most celebrated works, employing floor-to-ceiling digital panels which fill rendering stage.
The music
Elena Kats-Chernin remains famously fruitful. Melody arrives naturally. But finding picture sound break into Whiteley has been come enormous problematic, a years-long project.
Faced disagree with the snap of capturing such be thinking about unconventional people in symphony, Kats-Chernin accomplished she esoteric to come across something unexpected.
That might aptly the sheltered of rendering piccolo climb on the sousaphone, or softness with pizzicato (plucking) launch the section. An untypical rhythm juvenile time mode. A unfirm melody.
“It’s a bit need cooking, order around can ominous unpre
•
The art and life of Brett Whiteley
In his writing, sketchbooks and interviews, Brett Whiteley often expressed his thoughts on painting, drawing, sculpture and printmaking. How do these quotes help us to understand Whiteley’s approach to art-making? How do they compare to your own definitions or approach to these artistic media?
Painting
One way of reading the meaning of painting is as medical charts that show what the infliction of life felt like (think Vincent, Rembrandt, Bosch …) – the temperature of pain, the colour of ambition, the texture of pleasure, like God’s slide show collection …
– 1975
Painting consists mainly of sitting in a chair staring at a rectangle and periodically getting up going over to this skin or drum (canvas), with coloured toothpaste (paint) on a stick (brush), and correcting – implanting, illustrating, exaggerating, mellowing, tightening or loosening, scumbling, focusing, saturating – in short, the use of every trick of honesty or contradiction, all the cooking and cosmetics one has learnt or guessed at, in order to show the Great Glimpse, the split second between the unconscious and the ideal.
– 1978
All painting is basically a compromise or mixture or argument between expressionism, abstraction and realism.
– 1987
So much of paintin
•
Brett Whiteley
Australian artist (1939–1992)
This article is about the artist. For the Australian politician, see Brett Whiteley (politician).
Brett WhiteleyAO (7 April 1939 – 15 June 1992) was an Australian artist. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald, Wynne and Sulman prizes.[1] He held many exhibitions, and lived and painted in Australia as well as Italy, the United Kingdom, Fiji and the United States.
Early years
[edit]Growing up in Longueville, a suburb of Sydney, Whiteley was educated at The Scots School, Bathurst[2] and The Scots College, Bellevue Hill. He started drawing at a very early age. While he was a teenager, he painted on weekends in the Central West of New South Wales and Canberra with such works as The soup kitchen (1958).[3] Throughout 1956 to 1959 at the National Art School in East Sydney, Whiteley attended drawing classes.
While still at school, Whiteley visited the Macquarie galleries and saw a one-man exhibition of the work of the landscape artist Lloyd Rees. Much later, in 1988, Whiteley wrote to Rees, who had been his friend and mentor for many years. He recalled landscapes that
seemed to have filtered and dredged the whole