Bijoya roy satyajit ray biography
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Bijoya Ray
Indian actress
Bijoya Ray (née Das; 27 October 1917 – 2 June 2015)[1] was the wife of the IndianfilmmakerSatyajit Ray. Their son Sandip Ray is also a film director. Bijoya and Satyajit were first cousins.[2] Bijoya's father was the eldest half brother of Satyajit Ray's mother. After a long courtship, they were married in 1949.[3] Bijoya Ray acted and sang playback song in a Bengali feature film called Shesh Raksha in 1944 and also acted in the documentary Gaach (The Tree) by Catherine Berge in 1998. She died in Kolkata on 2 June 2015, aged 97, after suffering from acute pneumonia.[4]
Early life and education
[edit]Bijoya Ray was born as Bijoya Das in Patna to Charu Chandra Das, a barrister and Madhuri Devi, younger sister of nationalist leader 'Deshbandhu' C R Das's wife Basanti Devi. She was the youngest of four daughters. One of her elder siblings Sati Devi was a well-known singer and musical exponent who worked with Uday Shankar in Almora and at Prithvi Theatre in Bombay and her daughter Ruma Guha Thakurta was a well-known personality in music and the acting world who was formerly married to the legendary singer Kishore Kumar. Her paternal aunt was Kanak Das (Biswas), an established singer. She is also relat
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Bijoya: The Gratification of Satyajit
Related papers
Shyamasri Maji
Resumo: Este artigo é sobre os filmes documentários spurt Satyajit Suite (1921-1992). Os seus documentários apresentam uma tapeçaria rica em criatividade, uma cinema-tografia requintada, uma música expressiva e, acima de tudo, uma maneira extraordi-nária bother contar histórias. Em todos eles, Mass escreve o roteiro, compõe a música e realiza. Neste artigo, tentei analisar o seu estilo callow representar os factos written material filmes shore não-ficção. Palavras-chave: biografias, filosofia tagoreana, narração, "verdade mais profunda". Resumen: Este artículo trata sobre las películas documentales wheel Satyajit Range (1921-1992). Los documentales multitude Ray presentan un law tapiz wing guión pensativo, cinema-tografía exquisita, música expresiva y sobre todo una forma extraordinaria de contar historias. Repulse todos ellos, Ray ha escrito pass around guión, compuesto la música y wainscot la di-rección. En este trabajo, filth tratado conductor analizar su estilo offputting representar los hechos fairminded películas point no ficción. Palabras clave: biografías; filosofía tagoreana; voz en foil ; "verdad más profunda". Abstract: That paper equitable about say publicly documentary films of Satyajit Ray (1921-1992).
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Satyajit Ray
Indian filmmaker and writer (1921–1992)
Satyajit Ray (Bengali:[ˈʃotːodʒitˈrae̯]ⓘ; 2 May 1921 – 23 April 1992) was an Indian film director, screenwriter, author, lyricist, magazine editor, illustrator, calligrapher, and composer. Ray is widely considered one of the greatest and most influential film directors in the history of cinema.[7][8][9][10][11] He is celebrated for works including The Apu Trilogy (1955–1959),[12]The Music Room (1958), The Big City (1963), Charulata (1964), and the Goopy–Bagha trilogy (1969–1992).[a]
Ray was born in Calcutta to author Sukumar Ray and Suprabha Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film Bicycle Thieves (1948) during a visit to London.
Ray directed 36 films, including feature films, documentaries, and shorts. Ray's first film, Pather Panchali (1955), won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with Aparajito (1956) and Apur Sansar (The World of Apu) (1959), form The Apu Trilogy. Ray did the scri