Arnold copland biography
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Aaron Copland was born in Brooklyn on 14 November 1900 to a family of Russian-Jewish émigrés. He began playing piano with his sister at the age of eleven, continuing to perfect his playing with Ludwig Wolfsohn. In 1918, he graduated from the Boys’ High School in Brooklyn, but did not go on to pursue university-level studies. From 1917 to 1921, he studied harmony and counterpoint privately with Rubin Goldmark and piano with Victor Wittgenstein (1917-1919), and then with Clarence Adler (1919-1921). From 1921 to 1924, he travelled to France, where he studied with Nadia Boulanger (harmony, composition) at the American Conservatory in Fontainebleau, and then in Paris. He also studied piano with Ricardo Viñes and conducting with Albert Wolff (1921). Returning to the United States, he embarked on a brilliant career as a pianist, composer, orchestra conductor, and teacher.
In 1925, his Symphony for organ and orchestra (1924) premiered in a performance with Walter Damrosch and Nadia Boulanger as piano soloist. He also composed Music for the Theater and wrote his first reviews for Modern Music at this time (he would go on to be a regular contributor to the magazine between 1936 and 1939). In 1927, with Serge Koussevitzky conducting (who would go on to become a major figure i
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Aaron Copland
American composer and conductor (1900–1990)
Aaron Copland (, KOHP-lənd;[1][2] November 14, 1900 – December 2, 1990) was an American composer, critic, writer, teacher, pianist, and conductor of his own and other American music. Copland was referred to by his peers and critics as the "Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many consider the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which he called his "vernacular" style. Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera, and film scores.
After some initial studies with composer Rubin Goldmark, Copland traveled to Paris, where he first studied with Isidor Philipp and Paul Vidal, then with noted pedagogue Nadia Boulanger. He studied three years with Boulanger, whose eclectic approach to music inspired his own broad